The hammer of the gods will drive our ships to new lands,
To fight the horde, singing and crying: Valhalla, I am coming!
Led Zeppelin – Immigrant Song
It all begins with a dream, or even better, with a nightmare. Nothing beats the crispy emotional visuals my nightmares present me with, the lucid pain trying to wake me up and cut the show short. As I shake my head in disbelief, I’m not happy it’s over, I’m not happy I had it: I’m amazed with the clarity itself, with the depth of my emotions, that Roman well of my underground waters. Can I drink these liquids, sure I could, I just have no guts to be a spelunker through my own caves. All those books I’ve read on psychology and anti-psychiatry proved worthless in front of the entrance of Hades, where my intestinals lay searing in primal fear.
If I couldn’t control the coffers I had arrived with, I sure can pretend I lost them along the way, looking handsome in denial while filing a lost baggage form at LAX. Working like a fine purgative, my nightmares clean the slate for dreamlions* to come out of hiding, snacking on Kerberos en passant. On my behalf, I clean the dreamlions’ stables as a preventive measure from getting them delusional, which they are inclined to. Their mental hygiene handled, they sure can produce symbiosis of the time present and the time on arrival. To beguile the time, dreamlions look like the time.
Giving a shot to their shell game with destiny, looking past the fact that they’re as good as dead, the pilgrims had to be callous to step on that hundred-foot three-mast carrack back in late 1620. Due to the harsh climate and geographical intricacies, there were no d-lions present, just a premonition of life elsewhere and a boon behind the horizon. At the time, it mattered to no one other than involved: just another trip to nowhere, far from a voyage; another tiny contribution to entropy of human suffering. It didn’t even appear on my personal Magna Charta until 33 weeks later the ship returned to Plymouth, 333 years to a day prior to my arrival to this magnificent splendor of the world. Then clock began ticking.
In those days Belgrade was quite a curious backdrop for a fledgling learning to fly. Some five centuries under the Ottoman Empire left a black hole in Serbian mentality, dragging it back to the times gone, and simultaneously, the vibrant big city was trying to connect with the world of present. The symbiosis of atavistic emotions and cerebral cravings created a launch pad for perpetual daydreaming, as well as feverish philosophical debates among youth.
At the same time our parents, being the first generation middle class, were living their childhood dreams flat out. The two generations left each other alone – I’d get back home around 6am, still arguing with Sartre (over La Nausée), who among other things turned down the 1964 Nobel Prize in Literature, only to find my father shaving joyfully, ready for another day in paradise: the spit and image of Leopold Bloom.
This unique urban sensibility was a fertile greenhouse, or rather the devil’s playground, for any intellectual hubris and its supercilious smile, as well as any honest and thus naive path of imagination. Words were a very different place back then, dripping with adrenalin juices, tweaked emotions, and conviction chiseled in white Carrara marble. They had gravitas, dropping a ton at you with every resolution you made.
There is a pathos in my memories from this spirited era, even a residue of pride, the reminder I was alive once. I traveled Europe frequently in those days, leaving the rest of the world pretty much a terra incognita. My hungry dreamlions had zero patience, roaming the globe in search of the lost grassland – until the alpha male found his beloved savanna in Los Angeles, sending me back crescendo tam tam messages. It did it for me: from this point on there was only one place on the map I beamed my laser at, without any idea when and how I was to reach it. With my lion-in-chief refusing to return from the promised land, and my homers able to coo but unable to cover the distance, I stood in the dark one man for himself.
Years and years later, I found out the natural reason my frontrunner never looked back: during the same stretchy period Eileen sent a d-lioness across the waters of Atlantic: her father Max lived in Los Angeles while she was a teen growing up in Belgrade, which fueled her imagination of In-A-Gadda-Da-Vida, coupling a Zippo with a ten gallon canister of premium.
With water-drip erosion that time imposes on human liquidity, the rhythm of tam tam faded away and turned into background noise, as my inner self leaked its substance and emerged at the surface of some unknown dead sea, exposing my skin to daily winds and salty waves. But such sea-going has not the artistic quality of a single-handed struggle with something much greater than yourself; it is not the laborious absorbing practice of an art whose ultimate result remains on the knees of the gods. It is not an individual, temperamental achievement, but simply the skilled use of a captured force, merely another step forward upon the way of universal conquest.
In 1990 Caravelle reappeared somewhat different: it sailed on waving clouds, hovering above the mirror of the sea deep down in the Poseidon’s nest. It was for the Mediterranean sailors that fair-haired sirens sang among the black rocks seething in white foam and mysterious voices spoke in the darkness above the moving wave – voices menacing, seductive, or prophetic, like that voice heard at the beginning of the Christian era by the master of an African vessel in the Gulf of Syrta, whose calm nights are full of strange murmurs and flitting shadows.
I glanced at our cubs and they seemed joyful in their blissful callowness of what a change of the world might possibly mean. On July 25th, around midnight, the ark docked at LAX. We were here.
*A Freudian interpretation may consider lions to represent the powerful and admired aspect of the father. It may also symbolize your ‘animal’ nature or your aggressiveness and will to power.
Astrology tells us that Leos, the sign of the Lion, are gregarious and like to be the centre of attention. Perhaps your dream is saying that you are displaying these egocentric qualities?
The lion also appears in alchemical texts in different forms. For example, the green lion eating the sun can symbolize the initial stage of alchemical transformation, the attempts by the soul to transform its current state into somthing more magnificent. The red lion in alchemy, however, is a symbol of completion that is often synonymous with the Philosopher’s Stone – the key to attainment of the “Magnum Opus” or the integration of the Self.
In the Tarot cards, the Lion is a symbol of strength that can be controlled by gentleness (symbolized by a woman dressed in white).